my Audubon obsession...

How wonderful are these watercolors by the fantastic John James Audubon?

They are my inspiration for today...I hope they are for you as well.

Brown Pelican

Columbia Jay

American Flamingo



Canada Goose



Black-billed Cuckoo

Great Horned Owl

Want to see more (you know you do)?  Click here.

Keep in mind the contest to name my painting is still running, but today is your last chance to enter (to win a free painting!).  Click here to cast your vote.

Giants in illustration...

Lately I've been obsessing over classical illustrators and have run across some pretty amazing paintings so far (like those of Lisbeth Zwerger from a few posts back). 
If we go back to the beginning of classical illustration, we meet...

Edmund Dulac...

The Princess and the Pea

She Was Always Picking Flowers

 ...a French book illustrator during the Golden Age of Illustration (early 20th century).

Newspapers, magazines, and illustrated books were becoming the dominant media at the time (media that is quickly being digitized today). Thanks to advances in technology, illustrators were for the first time gaining freedom to experiment with color for a relatively low cost...which is excellent for people like me who seem to never tire of seeing those bright reds and subtle grays and yellows.

Dreamer of Dreams

 Edmund Dulac was one of the first to appear in the media market, bringing with him a whole palette of rich colors and some pretty serious credentials.  Can you imagine illustrating for the Queen of Romania or designing some of the first postage stamps ever used in Great Britain? 

Gerda and the Reindeer

What amazes me is that he actually began his career by studying law and switched to painting when law became boring for him.  It seems he skipped over adolescence to jump into an illustrating career at 22.  I guess in a way he always kept his adolescence by illustrating fairy tales like The Sleeping Beauty and painting pictures for the oh so impressive Hans Christian Anderson. 

I'm just a wee bit jealous.

He's a new name on my ever-growing list of "artists I admire so much I could cry."  I'm wondering what his magic formula was for mixing those colors and how exactly he got those pigment rings at the bottom of "She Was Always Picking Flowers."  I guess it's just something for me to always wonder about...

Happy Wednesday!

Lisbeth Zwerger...

As I was packing my room up a few nights ago (in preparation for moving out and getting married), I ran across this book...

It didn't take me long to remember why I love it so much.  Not only is the story beautiful, but the illustrations that accompany it are AMAZING.  I've had a rather difficult time tracking down information about Lisbeth Zwerger, other than the fact that she was born in Vienna in 1954.  Her style resembles classical (19th century) English illustrators like Beatrix Potter (who couldn't love Beatrix?) and Sir John Tenniel (who oh so brilliantly illustrated the original Alice in Wonderland). 



Alice in Wonderland



The Gift of the Magi

I suppose what I most admire in Zwerger's illustrations is her delicate paint application, and by that I mean the smoothness with which each layer is applied.  Watercolors are a very sensitive and volitale paint to work with...too much water and the pigment runs, too little and the paint won't move at all.  And since it's a transparent medium, every layer shows through the next, making it rather difficult to hide any mistakes.



The Gift of the Magi

Another aspect of her work that is so impressive is her use of negative space (the space between objects).  Her balance of negative and positive space seems very natural, like it's second nature for her to simply leave things out, to simplify each painting and give only the essential details, to use the empty space on the page to balance the painted space.  Seeing negative space and using it in a painting are actually pretty difficult things to do.  I, for example, tend to get carried away with the paint, feeling as if I should cover the whole paper with paint just because I like the color I happen to be using.  It also requires quite a bit of planning for which I tend to be impatient.  But just notice (in the above picture) the white foreground and white stairs, even the white scarf and how that strong use of negative space balances out the heavier color on the top.

 

Wizard of Oz

Of course I could go on and mention her use of color (I'd kill to know her palette) and how she always seems to balance the cool and warm colors (what's the name of the red she used in those poppies and the yellow she used to paint the dog?).  I could talk about her draftsmanship and the flow of line and how she seems fearless in letting her drawings show right through the paint.  I could mention all the gobs of books she's illustrated.  But for now, I will just leave you with one more image...

The Nutcracker

I love it.